Taylor Mead (1924-2013)
Taylor Mead! Oh! Taylor Mead!Your ass was a symphony leadOn speed, stoned on weedCannot precede a Taylor MeadHe stimulates everyone’s sphincterScreaming Frank O’Hara’s non-repressed desire:“The general return from one place
Author: Valery Oisteanu
Group Art Show
“Just Act Normal, Then You Are Crazy Enough” Curated by Carolyn Ratcliffe WHERE: Theater for the New City Gallery and TNC’s Online Art Gallery WHEN: November 6, 2021-Janury 3, 2022
NeuroNautic Institute presents Red Room
Poetry Reading Poetry Reading at the Red Bar Selections from In the Blink of a Third Eye Thursday, October 28 7-9 PM
Speechless Poetry for the People
Wandering downtown, apocalypticallyAlong the river, bikers swish consecutivelyLonely insanity, beacons so sweet, so saltyFrom a savage shore with Vivaldi on my lipsMy eyelashes blink at the bottom of the riverTraveling
Poetics for the More-than-Human World
An Anthology of Poetry and Commentary Published 2021 The Earthquake Flowers of Fukushima They whisper from behind the stonesTheir roots embrace the peaks and cracksWaiting for the raindrops to hurt
Aspects Du Surrealisme International Aujourd’hui
Vocatif No. 34, Published 2020Patrick Lepetit, editor and translator Seranade Pour Sarane Pour Sarane Alexandrian Le mat in s’est eteint a la Bibliotheque des AlchimistesCollectionneur d’amis fantomes rebellesEndormi avec des
Continue readingAspects Du Surrealisme International Aujourd’hui
Stash Luczkiw Review
In the Blink of a Third EyeSpuyten Duyvil, 2020 Rain Taxi Summer 2021 With his latest collection, In the Blink of a Third Eye, three formal vectors converge: poetry, prose,
swifts & slows: a quarterly of crisscrossings
Arteidolia, June 2021 Destiny stacked beyond the cloudsValery Oisteanu & Ruth Oisteanu Poetry by Valery OisteanuCollages by Ruth Oisteanu The Subway in the Sky Dreaming in the afternoon, waking on
Continue readingswifts & slows: a quarterly of crisscrossings
Book Cover for John Wilcock
Created in Collaboration with Ruth Oisteanu
Placing the Image
first published in Arteidolia, May 2021written by John Greiner The image cut off from classical context and reinserted in a manner contrary to the standard to create a new vision